The Fickle Hypocrite

It’s Day 30, the final day of Napowrimo, 30 poems in 30 days. I may have let a few slip, I was busy living so I have experiences to write about. I’ve enjoyed the challenge and I’ve hated the challenge, I’ve found it easy, I’ve found it difficult. The objective of writing every day has been achieved and I feel better for it. My grey matter has been exercised and stretched.

In true hypocritical and fickle style, after two days of ranting and protesting about form, I’ve attempted a Haiku. No doubt the purist academics will point out where I tried and missed, (the last line may be a scandalous 6 syllables?) but that’s never stopped me doing what I want. I’ve also written the same poem in my “unclassical” way. The prompt; “a poem that is quite short, and that doesn’t really try to tell a story, but to quickly and simply capture an image or emotion.”  (and yes I told a story because I am a storyteller)

I Dream of Devon (Rickety Haiku)

 

Steam train whistle blows

Sea breeze, tugging kite, baked sand

Rockpool discovery.

 

I Dream of Devon (My Way)

 

Steam train whistle

Sea breeze

Tugging kite

Baked sand

Cool drink

Rockpool discovery

Melting Ice cream

Carefree laughter

Salty kisses

Devon

 

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Poetry Unleashed

Day 28 of NApowrimo – 28 poems written and the end is nigh…today’s prompt was to write a poem about poetry “try your hand at a meta-poem of your own”. Here is my rant about archaic rules… I may even publish a second because I’m completely fired up, but for now here is

Poetry Unleashed

Who applied mathematics to literature?

Who dared degrade lines to a vile number count?

Who callously ripped out the soul to insert regularity?

Iambic Pentameter you are a satanic curse infecting creativity.

You leave me cold, my blood stilled.

You bind my hands and feet with rigidity.

Your condescending eye watches over my choice of phrase.

Know that you are not welcome in my world of dreams,

my moments of emotional outpouring.

My self-analysis has no need of your stuffy laws.

When I lower my defences to release pent up anger,

remorse, heartache or hurt, revealing scars

never before uncovered,

when I flood the page with deep sentiment,

boundless praise of nature’s beauty,

when I proclaim my love of the one I adore

or worship my children, professing eternal gratitude

for being so blessed,

do I need your calculated condemnation?

Do I need your bony finger pointing out inconsistent

decrepit

syllable counts or misplaced emphasis?

No! Close the door on your way out!

You are old and decrepit, redundant and impotent.

You shall not haunt my page. Be gone.

Lie down in your cold grave and let the living write poetry.

Shenanigans

You wouldn’t believe it but it’s true!

I’ll tell you, but don’t tell a soul

Mr Black and Miss Pike, as brazen as you like

They were seen late entering her home

 

I’ll tell you, but don’t tell a soul

Mrs Parker at 43 told me

They were seen late entering her home

They came out looking dishevelled and guilty!

 

Mrs Parker at no 43 told me

She heard it from Hugh at 22

They came out looking dishevelled and guilty!

but you must keep it between me and you

 

She heard it from Hugh at 22

Said it’s been going on a month, maybe two!

but you must keep it between me and you

You wouldn’t believe it but it’s true!

street-corner-gossip-bert-hardy.jpg

Dust

A shirt is shaken, sprawled over a board.

Her smile is fixed, eyes glazed

hours pass by as the iron runs.

Life evaporates with the steam.

The corpse is well turned out,

the headstone reads “she kept a tidy house”.

 

Dust piles upon dust

falling layer upon layer

dancing on sunbeams in shafts of light

piercing silent rooms.

Bed clothes lie ruffled.

breakfast pots sit in the sink.

 

No-one cares they run through fields

climb over styles

gather mud on their boots

eat picnics on blankets

whilst the tap drips into a bowl

waiting, waiting, waiting.

 

Wind-blown hair, sun burnt skin,

smiles light up the meadow,

birds chatter along with laughter

on the breeze, the dandelion clock

sends parachutes to mark the hours

of this endless day.

fun in fields

How Could It Be?

How Could it Be?

 

I see you now and again across a restaurant

the red of your jumper catching my eye,

the blue and white check shirt pulling at the sleeve of my attention.

When I look up, of course, it’s not you

How could it be?

 

I see you in the hospital waiting room hunched

in an uncomfortable plastic chair.

I see the top of your head through thinning hair

still carefully combed

when he looks up, of course, it isn’t you

How could it be?

 

I imagine I hear you nod your approval

over my shoulder as I read a well-constructed poem

or exceptional piece of literature.

I hear your slow and deliberate consideration;

“Hmmmmm, yeeeeessss” but it isn’t you

How could it be?

 

Six years have passed.

Your presence hasn’t waned as one would expect it to

like a receding shadow or fading bloom.

You are as real to me now as you were in life

though I cannot choose to visit you,

only treasure the glimpses I am gifted;

at the concert hall, the bookshop,

in the armchair.

 

Day 18 of Napowrimo and the challenge was to write an elegy of your own, one in which the abstraction of sadness is communicated not through abstract words, but physical detail.

This poem is about my Father-In-Law who never seems too far away, even now.

 

Dear Deer

Come close my dear,

and I will tell

the tale of a dear deer

(with a tiny tail)

who sadly didn’t fare too well.

He died at the fair

when he decided to try

a new fur dye he’d seen.

Flowing around the unique horn

of a unicorn was

a rainbow mane,

unicorn hair

when along came

a bare-faced bear

who had an aloof air,

(perhaps of a heir bear).

He added too much dye

and I declare!

It burnt the dear deer’s eyes!

You see, the no-eyed deer

he could not see

so ran and ran

and damn,

he ran into a dam,

that broke,

he choked.

For four hours he tried

to survive….

When he finally passed

we sang for hours and hours

hymns for him

that dyed dear deer

of ours who died.

hymns

Day 14 of Napowrimo saw a challenge that I had to read up on to understand;

write a poem that incorporates homophones, homographs, and homonyms, or otherwise makes productive use of English’s ridiculously complex spelling rules and opportunities for mis-hearings and mis-readings.

I hope I have achieved the objective?

From there to here

I am of hard cobblestones

that broke developing bones

of damp bricks and dense drizzle skies.

I am of the baggy grey sock

that slumps down the leg

and is constantly hitched up.

I am of skipping ropes tied

to flaky paint lampposts

of hot buttered toast suppers.

I am of backyard washing lines,

coal holes and metal bin lids.

I’m of children home by lamplight

and Grimm Fairytales.

Of job centres and blue collar jobs

and paydays prayed for weekly.

Now, I’m of tidy semi,

tarmac roads, motorway hell

of clinical 9-5 desk job

office politics, niceties, pleasantries.

I’m conditioning brilliant white socks,

limiting lightly buttered whole meal toast.

I’m central heating and condenser dryer.

I’m of assessed, measured, compared,

evaluated, tracked and monitored kids

and censored fairytales.

It’s Day 11 of Napowrimo and the prompt is to tell of where you are from and where are you now. Please excuse the poor punctuation… this is written on the hoof as always.

Goodnight

If the music never ends

If no-one call time 

If the sun never sets

If the clocks don’t chime

If the tides don’t ebb

If the moon doesn’t beckon

If we never say goodnight 

I will believe in heaven 

 

Day 6 of the Napowrimo challenge is to write a poem of possibilities.

Compass

Compass

 

I wandered lonely as a cloud

My compass buried beneath the earth

He was my North, my South, my East and West

 

The last grain of sand tore him from my grasp

through the hourglass out of reach

I wandered lonely as a cloud

 

From our first encounter

until our last

He was my North, my South, my East and West

 

Without him I had no left or right

No above, no below, no soul.

I wandered lonely as a cloud

 

I roamed alone over hill and stone

no destination, no meaning, no goal.

I wandered lonely as a cloud

He was my North, my South, my East and West

 

Today’s Napowrimo challenge was playing with format; write a poem that incorporates at least one of the following: (1) the villanelle form, (2) lines taken from an outside text, and/or (3) phrases that oppose each other in some way.

I chose to take lines from William Wordsworth’s “I Wandered Lonely as a Cloud” and WH Auden’s “Stop All The Clocks” in a villanelle poem. My opposites are wandering aimlessly and the points of a compass (slightly tenuous, perhaps!).

I’m really enjoying the stretch of the challenge and encourage everyone with a love of the written word to join in and have a go, even if you capture your poems in secret. Enjoy.

 

The Window

The Window

 

I stood on a chair and watched from the window.

Hours went by.

You came home happy and drunk.

I looked out into a sea of parents

wiped my make-up off

and walked home alone.

On the eve of my Wedding

you spent the night at your boyfriend’s.

My bridesmaid helped me into my dress the next day.

When my daughter was born you went shopping

for something suitable to wear for photographs.

I held her close with a full heart.

Now you view my work on gallery walls,

return home and watch from your window.

 

child at window

It’s Napowrimo Day 4 the challenge today was to write a sad poem using simple words. I love this style, plain and direct and leaves the reader to elicit the emotional impact.