Portia The Pear – the book launch.

 

book launch signing

Portia The Pear, my first Children’s Picture Book, was launched in September this year and is now on sale in bookshops, on Amazon and even in the gift shops at Tatton Park in Cheshire.

 

The launch party was an amazing event with more people attending than I ever imagined. Book sales were crazily high, I couldn’t move from the signing table. Children were busy sticking, painting, and creating at the craft tables. Those with more energy bounced on the bouncy castle and chased balloons. There was even a music maestro playing acoustic guitar in a quieter area for those who preferred to stay out of the mele.

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I can’t thank enough, the team of people who helped me to organise and manage the event. I had volunteers in the kitchen, help setting up the buffet, friends supervising the crafting and one dear friend even took charge of meeting and greeting. What a bunch of superstars. The day’s success was all down to their fantastic spirit of “all hands on deck” – angels every one!

book launch craft

 

 

 

 

 

 

 

 

 

So here is a link to find my book, which makes a superb Christmas present for little ones. Book reviews can be found on Amazon, to see what people think so far.

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To any budding authors out there, be ready to take part in marketing events organised by your publisher. My feet haven’t touched the ground since launch day. I’ve been as far south as Foyles in Chelmsford and I’m on my way north to Barrow-in-Furness next, with Apple Day Festivals in between and pit stops at libraries it takes a lot of energy to support your book, so be prepared!

book reading

I leave you with a link to the book and the publisher for more information …… did I say Portia makes a great stocking filler????

https://matthewjamespublishing.com/product/portia-pear-nicola-hulme/

christmas portia

 

 

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I’ve just got back from meeting my publisher…

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I like to say that.

I will take every opportunity to say that.

I do not apologise for being ecstatic that I can say that!

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During a very civilised conversation over a cup of tea at the fabulous Cloudberry Cafe, Marple, my publisher and I

(oops! I did it again) discussed the upcoming marketing strategy for my new book. 

 

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I am so excited I may spontaneously combust – stand well back!

Talking for 2 hours about all things bookish, is an absolute pleasure. 

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Watch this space over the coming weeks for details.

My face is literally aching from smiling so much.  

I will be ordering my own book from Amazon because I can.

I will be ordering my book from Waterstones because I can. 

Ouch! My cheeks hurt.

I have illustrations!

Picture a lady who is old enough to know better, bouncing around like Tigger on his happiest and bounciest day. 

Picture the biggest smile on a child’s face.

Picture someone who can’t sit still and is yabbering on at speed and at a pitch only dogs can hear.

That’s me, right now, as I look at the illustrations created for my new children’s book. 

It’s every Christmas morning rolled into one. 

My baby now has a face, a colourful, beautiful face and I could kiss it – but that would be too weird.

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I have “blurb”!

Today, I contributed to and approved,  the blurb that will be issued to the trade when describing my first Children’s Picture Book. It may even appear on the back cover. (I won’t dwell on how the word “blurb” frustrates me when the words “a brief outline of the story” could be used, this is not the time to be picky.) Today is the day to celebrate and be excited by the fact I have my very own blurb. I have blurb about a book that I have written. Me. My book. My blurb. Happy. 

The Book, The Writer

Day 23 Napowrimo Challenge

The Prompt:

Our prompt for Day Twenty-Three comes to us from Gloria Gonsalves, who challenges us to write a double elevenie. What’s that? Well, an elevenie is an eleven-word poem of five lines, with each line performing a specific task in the poem. The first line is one word, a noun. The second line is two words that explain what the noun in the first line does, the third line explains where the noun is in three words, the fourth line provides further explanation in four words, and the fifth line concludes with one word that sums up the feeling or result of the first line’s noun being what it is and where it is. There are some good examples in the link above.

A double elevenie would have two stanzas of five lines each, and twenty-two words in all. It might be fun to try to write your double elevenie based on two nouns that are opposites, like sun and moon, or mountain and sea.

My Response:

The Book

Book

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Almost published

Work in progress

Awaiting illustrations and print

Excited

Writer

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Almost published

Edge of seat

Endlessly pacing the floor

Eager.

May the ink never dry

The day came to sign the contract. The publishers treated me to a fabulous lunch. We had an excellent discussion on all aspects of writing, publishing, readers, and distribution before papers were signed and photographs taken.

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Onlookers from neighbouring tables stopped to see who the celebrity was.

 

 

 

 

 

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Elated I published my news on Facebook and amidst the warm wishes of friends and family, tried to let what had just happened sink in.

So what then?

Then, I waited.

 

Soon after, I received an email with sketches of the artwork which the illustrator had submitted. The thrill was intense. I studied each pencil line. As I turned through the pages, I saw my story come to life. I was introduced to the main characters. I marvelled at the detail.

TV personality Sarah Heaney Reads to kids in Edinbugh

 

I saw my story through the eyes of a child, wondrous and excited. I wanted to know what was on the next page.

What a gift.

 

And then…. I waited.

I’ve learnt you need patience, a lot of patience. Work is happening behind the scenes and the writer needs to sit back and wait to be called upon.

I’m still waiting.

As I’ve said on a previous blog, I’m not one to sit around idle, so whilst I wait;

Too busy to stop

  • I attend Stockport Writers, a local writers group
  • I attend Write Out Loud, a local poetry group
  • I’ve written two more children’s picture book stories
  • I’ve attended a workshop on how to write about conflict
  • This week I am at a workshop about re-writing traditional myths in a modern and contemporary way
  • I continue to write the morning pages, again, as discussed in a previous blog
  • As April approaches, so does the poetry challenge of Napowrimo; a poem per day for each day of April

That should keep my mind busy, and if it doesn’t, I can always blog!

Burnout Schmurnout – let’s do this!

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Validation and Illustration

In reply to my resubmitted manuscript, the publisher sent a brief email back, saying “Well done… we’ll go forward with that.”

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It may be the best email I have ever received. I printed it out and shared it with anyone I could find. If I was athletic and if I wasn’t sat in a very busy corporate office at the time, I would have done a lap of honour. As it was, I paced around a lot with a ridiculous grin across my face, pumped with adrenaline. Success!

It’s a strange experience when you receive an acknowledgement that what you have produced is good enough to print.

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It’s a validation that your work is viewed by at least one person as acceptable. The strangeness comes from the unfamiliarity with that approval. When it happens, it doesn’t quite seem real. It’s almost an out of body experience. I’d love to hear from other writers if this is how they felt, or if I’m alone in this!

So back to practicalities: The next step was to secure an illustrator.

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I submitted some samples a good friend of mine had created, and the publisher had requested samples from illustrators they had worked with previously.

After comparing all samples, a choice was made.

I opened an email one day, simply saying “What do you think of this?”  

When I opened the file, I saw my main character staring back at me on screen. Only this was the illustrator’s interpretation of my character, not the image I had been carrying around in my head for months.

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It was like meeting a friend for the very first time, combined with the surprise of opening a Christmas present.

I was thrilled. The colours were bright, the characters friendly and the overall feel fit perfectly with what you would expect from a children’s picture book.

I wanted to show the world, but knew I had to keep it to myself. The publisher had been very clear that they manage the release of information about the book, to maximise the impact of the marketing. So I kept the concept illustration close to me and just peeped at it every hour on the hour for a number of days. I smiled to myself each time. This was really happening.  

The next communication from the Publisher was “We need to talk contracts.”

Feedback and re-writes

After the initial interest from the publishers, I was asked to go into the offices to chat about my book. With a beating heart, I replied to their emails, always unsure of how businesslike to sign off my mails; “Kind Regards” too official? “Sincerely” too stuffy? “Love” out of the question. I chose one and stuck to it. We arranged a date and after much deliberation on what to wear for a first meeting with a publisher, I set off.

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I arrived at a very traditional industrial mill. It seemed every time I joined any writing group or indeed visited a publisher, it was always in a building with great architectural heritage. I loved it. Walking down a long dark corridor into the depths of the mill, it was evident daylight didn’t feature here. There wouldn’t be any window seats like the modern office buildings of today.

A workman passed by in overalls and looked at me quizzically, possibly due to the heels clomping on the York stone slabs. I asked him directions and he waved his hand at a small white door to the left. As I approached, I could see James and Anthony inside, and they beckoned me in. The stark fluorescent lights were harsh on the eyes in contrast to the dark corridor outside. I was motioned to a sofa and the meeting began.  

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James, the Managing Director, told me how he had read the manuscript and his first reaction was “Wow”. I sat there dumbfounded and almost deaf to anything else he said for the next minute. “Wow”? Really? My work deserves a “Wow”? I couldn’t believe my ears. More positive feedback was given as Anthony, the Marketing Manager backed James’ views. I was delighted.

James then moved onto what was to happen next. He explained that the story I had written spanned two reading categories; 3-5 year olds and 5-8 year olds. Apparently, it is important to distinguish which bracket your book is aimed at, to help the bookshops to know where to position it on shelf and of course how online booksellers should list it. I was given the task of re-writing the story to fit either category. I had to either remove the more difficult words, and simplify the terms for the 3-5 year olds, or lengthen the story to suit the 5-8 year old category.

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Happily, they said they would print my book whichever group I decide to target, so I left feeling on top of the world. I still had the word “wow” ringing in my ears.

TV personality Sarah Heaney Reads to kids in Edinbugh

As soon as I got home I took out the manuscript and started work. I started by simplifying the piece and aiming at the 3-5 year olds. My thought process being quite simply, I had set out to write bedtime stories which my 4-year-old would enjoy, so it seemed appropriate to start there.

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My twelve-year-old daughter came home from school as I was in the midst of the re-write and asked what I was doing. When I explained, she very quickly responded with the fact that I couldn’t possibly write it for 5-8 year olds. When I asked why she was so adamant, she informed me my story wasn’t cool enough for an 8-year-old. She wrinkled her nose as she said it, for added effect!

“Which 8 year old is going to pick up a book with a pear on the front?” She had a point.

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With added determination, I finished the re-write and submitted it back to the Publisher.